On January 20th, 2020, Iris van Herpen presented her latest Couture collection, titled ‘Sensory Seas’, at Cirque d’hiver Bouglione in Paris.
For this collection, Dutch fashion designer Iris van Herpen draws inspiration from the sensory processes that occur between the intricate composition of the human body, mirrored with the fibrous marine ecology of our oceans. The first threads of inspiration came from the Spanish neuroanatomist Ramón y Cajal.
Ramón y Cajal wanted to uncover something that no one had yet understood. He questioned; how does the brain engage in conversation with its counterparts? Exploring our central nervous system in microscopic detailing, Cajal documented his revolutionary findings through anatomical drawings that are considered amongst the world’s greatest scientific illustrations. Hunched over his microscope, he merged science with art and brought to life the threads of our enchanted biology to the human eye.
Other inspiration stemmed from diving into the deep depths of the Hydrozoa, a class of delicately branched sea-life organisms. Shifting between a polypoid stage and a medusa stage, the Hydrozoa embroider the oceans like aqueous fabrics, forming layers of living lace.
‘Sensory Seas’ holds a microscope over the indelible nuances between the anthropology of a marine organism, to the role of dendrites and synapses delivering infinite signals throughout our bodies. It enchants the attention of how two processes of torrential messaging exist in an uninterrupted state of flux.
The collection consists 21 silhouettes that illustrate a portrait of liquid labyrinths, where dresses spill onto the floor in elegant train and pigments gather in clouded pools of blues and lilac, leaking into one another like marble.
Colorful meshworks of cellular geometry are translucently layered to create deep-sea aquarelles. Soft shades of greens, blues and gentle ochres are painted by Shelee Carruthers and juxtaposed with the warming reds of coral reefs.
The flickers and curves of Cajal’s anatomical drawings are revealed in the ‘Labrynthine’ technique; 3D lasercut silk dendrites are heatbonded to blossoming leaves of black transparent glass-organza, to then be hand-embroidered onto lasercut pearlescent exoskeletons.
The ‘hypertube’ looks are 3D printed from a single-lined web using white silicone thread, that is printed onto black silk-chiffon, twisting down the body. For the ‘Hydrozoa’ technique, cellular aquarelles of dark purples and turquoise were oil-painted and multi-layered into hundreds of transparent lasercut PetG bubbles.
The glass organza halos were digitally printed, heatbonded and then hand-stitched into voluminous splashes. The file-work of each layer is drawn to hang upwards, blooming aquatically with each movement.
The ‘Morphogenesis’ technique is carved by thousands of white screenprinting mesh layers, in collaboration with Philip Beesley. 3D twisted vortex models were created in Rhino software, numbered and sliced into 3mm distance, to then be cut on the KERN lasercutter with a triangulated grid of chevron-holes.
Grasshopper scripts smoothened the processes of lofting, slicing and nesting. Each layer was embellished by hand with a grid of minuscule transparent chevrons, creating vibrant coral textures that expand and contract around the body.
During the show, the models emerge from three ‘immaterial’ lightwave sculptures, designed by Paul Friedlander. Each sculpture is made from one thread only, that transforms frequency into shape. Illustrating a sea of structure, they encircle the models by weaving light around them, creating a metaphorical maze of sensory waves.
Matching the ebb and flow of arresting sensations from neuron to ocean, changeantsilks ripple buoyantly. Swaying serenely, they are at the liberty of change, regenerating amongst the immensity of the ocean, to the silent, yet eternal chattering of our senses.
All images courtesy of Iris Van Herpen.
Iris Van Herpen
www.irisvanherpen.com
CREDITS
Press: Alexandre Malgouyres | KCD Paris
Styling: Patti Wilson
Special thanks to collaborating Artist: Paul Friedlander
Collaborating Artists: Philip Beesley, Shelee Carruthers, Duke Morse, Perry Hall
Show Production: SixUp Paris | N6
Casting: Maida Gregori Boina | Maxime Valentini | Caroline Mauger
Footwear Collaboration: Trippen
Light Design: Stefan Prokop
Make-up: Chiao Li Hsu & the MAC PRO Team
Hair: Martin Cullen & Björn Axén | The Wall Group
Choreography: Diek Pothoven
Music Direction: Salvador Breed
Including tracks:
Joep Beving & Maarten Vos – Apophis (Henosis – Deutsche Grammophon)
Kuedo – Bend Moon (Slow Knife – Planet mu Records)
Videography: Blitzkickers
Process Video: Jip Mus
First Look Videography: Matthew Sperzel
Frontstage Photography: Gio Staiano
Backstage Photography: Molly SJ Lowe, Schohaja
Press Release: Scarlett Baker
Illustrations Artwork: Nastya Kuzmina
Invitation Artwork: Takahiro Kurashima and Yanis Georges
SPECIAL THANKS TO
Fédération de la Haute Couture et de la Mode
Atelier Néerlandais
Davy Hezemans & Joanna van der Werf | Spice PR L’Arc Paris
Absolut Elyx, Perrier-Jouet and Vype
Tags: 2020, 2021, 3D Printed, 3D Printing, aqua, aqueous fabrics, architectural, Artisans, arts crafts, collection, Couture, embroidered, exclusive works, fabrics, Fall/Winter, fashion, fashion design, fashion designers, Haute Couture, Iris van Herpen, layers, marble, Paris, Paris Fashion Week, sea-life, structure, texture, Top
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