The Royal Wedding

The Royal Wedding at Buckingham Palace on 29th April 2011: The Bride and Groom, TRH The Duke and Duchess of Cambridge in the Throne Room. Photograph by Hugo Burnand Duchess of Cambridge chose British brand Alexander McQueen for the beauty of its craftsmanship and its respect for traditional workmanship and the technical construction of clothing. Duchess of Cambridge wished for her dress to combine tradition and modernity with the artistic vision that characterises Alexander McQueen's work. Duchess of Cambridge worked closely with Sarah Burton in formulating the design of her dress.

April 30, 2011 - [London]
The wedding of Prince William, Duke of Cambridge, and Catherine Middleton took place on Friday, 29 April 2011 at Westminster Abbey in London.

Britain's Catherine, Duchess of Cambridge waves as she travels to Buckingham Palace in the 1902 State Landau, along the Procession Route, after her wedding to Britain's Prince William in Westminster Abbey, in central London April 29, 2011. Photograph by Paul Hackett/ REUTERS.

The Royal Wedding at Buckingham Palace on 29th April 2011: The Bride and Groom, TRH The Duke and Duchess of Cambridge in the centre with attendants, (clockwise from bottom right) The Hon. Margarita Armstrong-Jones, Miss Eliza Lopes, Miss Grace van Cutsem, Lady Louise Windsor, Master Tom Pettifer, Master William Lowther-Pinkerton. Taken in the Throne Room. Photograph by Hugo Burnand.

The Design
The lace appliqué for the bodice and skirt was hand-made by the Royal School of Needlework, based at Hampton Court Palace. The lace design was hand-engineered (appliquéd) using the Carrickmacross lace-making technique, which originated in Ireland in the 1820s. Individual flowers have been hand-cut from lace and hand-engineered onto ivory silk tulle to create a unique and organic design, which incorporates the rose, thistle, daffodil and shamrock.

Hand-cut English lace and French Chantilly lace has been used throughout the bodice and skirt, and has been used for the underskirt trim. With laces coming from different sources, much care was taken to ensure that each flower was the same colour. The whole process was overseen and put together by hand by Ms Burton and her team.

The dress is made with ivory and white satin gazar. The skirt echoes an opening flower, with white satin gazar arches and pleats. The train measures two metres 70 centimetres. The ivory satin bodice, which is narrowed at the waist and padded at the hips, draws on the Victorian tradition of corsetry and is a hallmark of Alexander McQueen's designs. The back is finished with 58 gazar and organza covered buttons fastened by Rouleau loops. The underskirt is made of silk tulle trimmed with Cluny lace.

The Fabrics
French Chantilly lace was combined with English Cluny lace to be hand-worked in the Irish Carrickmacross needlework tradition.

All other fabrics used in the creation of the dress were sourced from and supplied by British companies. The choice of fabrics followed extensive research by Sarah Burton and her team.

The Royal School of Needlework
The Royal School of Needlework (RSN), based at Hampton Court Palace, assisted the Alexander McQueen team in accurately cutting out the delicate motifs from the lace fabrics and positioning the lace motifs with precision into the new design. The lace motifs were pinned, 'framed up' and applied with stab stitching every two to three millimetres around each lace motif. The workers washed their hands every thirty minutes to keep the lace and threads pristine, and the needles were renewed every three hours, to keep them sharp and clean.

The RSN workers included existing staff, former staff, tutors, graduates and students, with the youngest aged 19.

The RSN's work was used primarily for the train and skirt of the Bride's dress, the bodice and sleeves, the Bride's shoes and the Bride's veil.

Veil and Jewellery
The veil is made of layers of soft, ivory silk tulle with a trim of hand-embroidered flowers, which was embroidered by the Royal School of Needlework. The veil is held in place by a Cartier 'halo' tiara, lent to Miss Middleton by The Queen. The 'halo' tiara was made by Cartier in 1936 and was purchased by The Duke of York (later King George VI) for his Duchess (later Queen Elizabeth The Queen Mother) three weeks before he succeeded his brother as King. The tiara was presented to Princess Elizabeth (now The Queen) by her mother on the occasion of her 18th birthday.

The Bride's earrings, by Robinson Pelham, are diamond-set stylised oak leaves with a pear shaped diamond set drop and a pavé set diamond acorn suspended in the centre. Inspiration for the design comes from the Middleton family's new coat of arms, which includes acorns and oak leaves. The earrings were made to echo the tiara. The earrings were a personal gift to the Bride from her parents for her Wedding Day.

Robinson Pelham have also designed and made a pair of diamond earrings for Miss Philippa Middleton. These earrings are more floral in nature to compliment the headpiece worn by Miss Philippa Middleton during the Service.

A tourmaline and diamond pendant and matching earrings have been designed and made for Mrs. Carole Middleton. Two gold stick pins, one with a single gold acorn at the head and the other with an oak leaf, are also worn respectively by the Father of the Bride, Mr. Michael Middleton, and the Bride's brother, Mr. James Middleton.

Wedding Shoes
The wedding shoes have made hand-made by the team at Alexander McQueen and are made of ivory duchesse satin with lace hand-embroidered by the Royal School of Needlework.

All photos are courtesy of British Monarchy. For more photos from the day, visit the British Monarchy Flickr account.